Joshua Ehizibue, known to the world as Mo’jeezy, is a name synonymous with innovation and ambition. As the founder and CEO of Streamlivr, a platform redefining live streaming, and Raphina AI, a health-tech initiative that leverages artificial intelligence to transform healthcare, Mo’jeezy operates at the intersection of creativity and technology. But his journey is far from conventional.
Today, he serves as an ambassador for Lisk a layer 2 Blockchain and crypto exchange company headquartered in Zug, Switzerland.
As a lisk ambassador, he champions the democratization of Web3 technology across Africa and beyond.
In an exclusive sit-down with Mo’jeezy on Dayford network TV, the conversation flows effortlessly between his groundbreaking work in Crypto advocacy and his unique journey as an artist.
Widely celebrated as the first Nigerian artist to sell music as an NFT, Mo’jeezy has solidified his place as a leading voice in the Web3
Let’s start with your journey—how did you go from being an artist to becoming one of the leading voices in Crypto and blockchain in Africa?
“Music was my first love,” reflecting on my roots as an artist with a Bachelor of Arts in Music, I initially saw my career unfolding in the world of melodies and lyrics. But it didn’t take long for me to recognize the systemic flaws in the creator economy.
So in 2020 during the pandemic after a lot of research and planning for projects I realized that as an artist, ownership is everything, Selling my first NFT was less about personal gain and more about proving that creators could reclaim control in a system designed to exploit them.
This singular act, was a milestone for an African artist and it sparked a deeper curiosity in technology. By 2021 I earned a certification in blockchain architecture and began exploring the possibilities of Web3.
“Blockchain isn’t just technology,” “It’s philosophy in action—a way to redistribute power and give communities the tools to thrive.”
As a tech artist and brand ambassador, I have been very instrumental to the blockchain adoption and support of several projects by African founders.
From organizing hackathons like the Lisk SDK Hackathon, which saw over 130 projects participating globally, Hack4FUTO 2024, and hosting web3 conferences and meetups nationwide.
We also created communities like #LiskBuildersClub and were invited to speak at global industry conferences like CV Summit Africa 2023 in Cape Town, South Africa.
Back home in Nigeria I and the team from Lisk made our presence felt in cities like Portharcourt, Abuja, Jos, Owerri, Uyo, and Nssuka.
I was also awarded multiple times in 2024 for my contributions to the tech ecosystem in Nigeria which is key to onboarding over 1,000 web3 builders in the African tech ecosystem.
“Africa is an innovation powerhouse waiting to be unleashed,”. “We don’t lack talent or creativity—what we need are platforms that level the playing field. Blockchain, AI, these are not just buzzwords; they’re tools for freedom and growth.”
Selling music as an NFT was revolutionary at the time. How did it shape your perspective on blockchain and Web3?
Well, that achievement showed me the possibilities of decentralization. As an artist, I felt truly empowered for the first time. I owned my work, connected directly with my audience, and eliminated the middlemen. That’s the essence of Web3—ownership, transparency, and accessibility. And I thought if this can work for music, imagine what it can do for finance, governance, or even education.
Fast forward to December 2024—the Lisk and Sip event. It’s clear that you’ve taken your advocacy for creativity, crypto, and blockchain to another level. Why was this event so significant for you?
It was special, It wasn’t just another crypto event; it was a statement. It was about showing Africa—Nigeria in particular—that we’re not just consumers of technology. We’re builders, innovators, and leaders. Lisk is a platform I truly believe in because it’s accessible. It gives developers and entrepreneurs the tools to create blockchain solutions without needing to master complex coding. That’s game-changing for Africa, where talent is abundant but resources can be limited.”
The event itself had quite the buzz. Tell us about the highlights.
Where do I even start? We kicked things off with registration attendees and the crypto community that came out in their numbers.
We had guests book flights from other states in the country and even cancel flights just to be in attendance
The panel sessions were incredible—especially the one on Building Community on Lisk. People loved the interactive demos of the Lisk Wallet and the giveaways—crypto wallets, NFTs, and merchandise. And, of course, our host, David Melford Robert, brought so much energy to the event, keeping everyone engaged and the atmosphere lively. We had live music, a DJ, and dessert drinks—it was truly unforgettable.
You’ve always been big about community. How important was it for you to include influencers and notable figures in the event?
Look, crypto isn’t just about techies; it’s for everyone. That’s why we had people like Uche Crypto, Bellick Cruz, and Great Adams there. And from the Port Harcourt scene, K.O Baba brought his presence representing the entertainment and real estate industries respectively. It’s about creating bridges—between tech and culture, between experts and newcomers. That’s why in 2025 my company StreamLivr will be organizing one of the biggest tech -tech-entertainment events in Nigeria and Africa at large, so keep your fingers crossed for that.
Your work as a Lisk Ambassador has been transformative. What’s next for you in this space?
For me, it’s about scaling impact. I want to see more African developers using tech to build solutions that solve real problems. I want to push the boundaries of what creativity, crypto, and blockchain can do—not just in finance but in governance, healthcare, and more.
Personally, I’ll keep blending my artistry with my advocacy because I believe creativity is what drives innovation.”
Finally, Mo’jeezy, what message do you have for young Africans looking to make their mark in blockchain or Web3?
Start where you are. You don’t need to be an expert; you just need to be curious. Learn, collaborate, and don’t be afraid to experiment. The blockchain space is still young, and Africa has the talent to lead—not just participate. Let’s build together.”
CONCLUSION
Joshua Ehizibue’s journey is not just a story of personal success—it’s a blueprint for a new kind of leadership, one that blends creativity, technology, and an unwavering commitment to community.
As one of Africa’s foremost tech artists and a pioneer in the NFT space, Mo’jeezy is proving that the future isn’t just something to wait for—it’s something to build.
